Marcel Broodthaers Musée d'Art Moderne, Départment des Aigle was a conceptual museum created in Brussels in 1968. It had neither permanent collection nor permanent location, and manifested itself in "sections" appearing at various locations between 1968 and 1971. These sections typically consisted of reproductions of works of art, fine-art crates, wall inscriptions, and film elements. In 1970, Broodthaers conceived of the Financial Section, which encompassed an attempt to sell the museum "on account of bankruptcy." The sale was announced on the cover of the Cologne Art Fair catalogue in 1971, but no buyers were found. As part of the Financial Section, Broodthaers also produced an unlimited edition of gold ingots stamped with the museum's emblem, an eagle, a symbol associated with power and victory. The ingots were sold to raise money for the museum, at a price calculated by doubling the market value of gold, the surcharge representing the bar's value as art. Broodthaers's museum represents a pioneering effort to dispute traditional museum practices by appropriating and altering them.
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This is an artist that was in many ways working with insitutional critique, many of you may know him . Though I couldn't find very good sources for his work on the web I did find this courtesy of the Museum by the same name--- MoMA.org (This pretty much means "Thank your
critical analysis.... now we will add you to our collection, whatever WE stand for in the future." -MoMA)
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(drunk again) I was musing this evening about how the old carnival flea circus was able to address the same ideas that conceptual art did; maybe more eloquently, too.
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