The show got some art press from an organisation based out of Atlanta.
Some of the works in the exhibition do acknowledge the more polemical aspects of the wunderkammer as a residual cultural symbol. Jason Benedict’s Romantische Naturphilosophie does so not by way of direct critical address but by co-opting its formal logic . . .
http://burnaway.org/wunderkammers-21st-century-harn-gainesville/
1 comment:
The fishing flies definitely engage the exhibition's theme of mimesis relative to the natural world. They're also a lot like Tom Friedman's work, in that they are very intricate and are crystallizations of human time.
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